Jump to navigation. Riot Grrrl movement A musical genre, a feminist movement, a scene. Riot Grrrl was spawned in the early 90s and centralised itself in Seattle and Washington, where groups of girls would get together, hold meetings, share ideas and create fanzines. Best of all, the Riot Grrrl movement had its own manifesto, which you can read here. Formation Hailing from Olympia, Washington, and following stints in several bands, working as a stripper, studying photography, volunteering and showing at different art galleries; Kathleen Hanna found her tribe in fellow friends and Evergreen College students Toby Vail, Kathi Wilcox and Billy Karren. Initially teaming up to produce Bikini Kill, the zine, the collective soon found themselves bringing the publication to life as a band and energetic live show complete with soapbox-style politicising and audience participation in the form of story sharing mostly unfortunate experiences concerning male abuse of power and sexual assault.
Girls To The Front: 25 Years Of Bikini Kill, Riot Grrl And The Enduring Legacy Of Kathleen Hanna
9 things you need to know about riot grrrl legends Bikini Kill ahead of their comeback
The song was released in three different recorded versions in — on an EP , an LP , and a 7-inch single. The single version was produced by Joan Jett and features her on guitar and background vocals. Widely considered a classic example of punk music, the song remains emblematic of the riot grrrl movement of the s. The members of Bikini Kill sometimes swapped their instruments for certain songs, but all versions of "Rebel Girl" were recorded with the band's standard arrangement:. On the single release, Joan Jett provides additional guitar and backing vocals. The song's theme and lyrics overturn the traditional heterosexual tropes of pop music.
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The truth is is the perfect time for a riot grrrl resurgence. More than ever, we need bands who will stand against the establishment, who will shout and scream and make their presence felt and who will fight to force change for the better. But by being so vocal about their political views, the need for women to reclaim their space at shows and in society, and sparking a real revolution in punk and beyond, they opened doors for other women to do the same. They fought the battle to be accepted as a band on their own terms, making it easier for other women and people outside of the white male norm to come in and do what they wanted.
I n their heyday, Bikini Kill — reunited and on stage in the UK after 23 years — were more than just a punk band. But Bikini Kill rocked, too, making for a tight four-piece, reminiscent of Washington DC hardcore legends Minor Threat fronted by Poly Styrene of X-Ray Spex : loud and fast, sarcastic and confrontational, equal parts burning sincerity and goofy charm. The first of two nights in this large south London venue, bigger than any they ever played in their first incarnation, retains all those hallmarks. It swiftly rises to a holler. It feels blind!